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Embroidery
Mirrorwork Zardozi Gota
and Kinari Phulkari Bagh
Chamba Rumals Chikankari Kantha
Crewel Banjara Kasuti
Embroidery has become the most elegant
and enriching part of the craft heritage of India. The needlework
tradition dates back to 2300-1500 BC and has been richly inherited
by various regions, each having special style and an individual
inspiration.
Each state here is specialist in its own
kind of embriodary like, Kashmiri embroidery vividly reflects the
exuberance of nature and is characterised by paisley motifs and
lovely landscapes, while Chamba (Himachal Pradesh) embroidery is
inspired by the miniature paintings of the Mughal rule, depicting
courtly life and mythological characters.
Emergance of these embroidaries:
These vast range of embroidaries has been
emerged from the use of a variety of threads. Like the floss silk
thread used to create motifs of flowers is the main highlight of
'phulkari' embroidery, popular in Punjab. 'Chikan' work of Lucknow
(Uttar Pradesh) is characterised by the delicate embroidery in white
threads either in cotton or in silk. 'Zardozi' of Varanasi (Uttar
Pradesh) is worked in gold thread and the threads from the old saree
borders have created the beautiful 'Kantha ' work of West Bengal.
Embroidary- A passion:
Embroidery is a passion in the states of
colour - Gujarat and Rajasthan. The highlight of the embroidery
here is vibrant colour contrasts, rich patterns and sparkling mirror
work. The craft of threads seems to pervade all aspects of life
here, then be it their costumes, shoes, household hangings or trappings
for their domestic animals. Especially famous are the embroideries
of Kutch and Jaisalmer, renowned for their unique colours, styles
and stitches.

One of the unique form of needlework is
'applique', in which a textile is decorated by applying fabric on
fabric with the edges sewn down by thread and needle. It is often
used with embroidery to create a magical style of decoration. Most
notable is the applique work of Gujarat in which pieces of coloured
and patterned fabric are cut in varied shapes, sizes and colours
and are sewn together on a plain background to form motifs like
peacocks, birds, horse riders and caparisoned elephants. The applique
work of Puri
(Orissa), Thanjavur (Tamil Nadu) and Bihar is equally attractive.
Presently, the splendour of needlework
is reflected not only in costumes, but also in small items like
hankerchiefs, scarves, veils and waist-bands, etc. The embroidered
textiles form an essential part of an Indian bride's trousseau.
Having woven cloth exactly as he wants
to, the weaver often passes it on to a professional embroiderer
(usually a woman) who works magic with needle and thread. Traditionally,
however, embroidery has been the forte of the housewife. Lets take
you through the various loops Indian embroiders usually work into
cloth.

Mirrorwork:
The women of Rajasthan and Gujarat traditionally carry embroidered
torans (frieze), dowry bags, shawls, cholis and dupattas as part
of their dowry. This work can be identified by its use of tiny mirrors
with colourful threads that shape floral and figurative designs.
Its shiny brilliance makes it a hot favourite with tourists.

Zardozi:
Zari is gold, and zardozi embroidery is the glitteringly ornate,
heavily encrusted gold thread work practised in Rajasthan, Uttar
Pradesh, Kashmir and Delhi. Of course, the days of using real gold
and silver thread are now history. What you can get, however, is
synthetic or tested zari embroidery. Metal ingots are melted and
pressed through perforated steel sheets, to be converted into wires.
They are then hammered to the required thinness. Plain wire is called
badla, and when wound round a thread, it is called kasav. Smaller
spangles are called sitara, and tiny dots made of badla are called
mukaish.
Gota
and Kinari:
Akin to applique, gota work involves placing woven gold cloth onto
other fabric to create different surface textures. Kinari, or edging,
as the word suggests, is the fringed or tasselled border decoration.
This art is predominantly practised by Muslim craftsmen.

Phulkari:
Embroidered extensively in Haryana and Punjab, the phulkari shawl
is a spectacular piece of clothing. Birds, flowers and human figures
are normally embroidered on red or orange khaddar (coarse cotton
cloth made of handspun yarn). The design is fed into the cloth from
the reverse side using darning needles and one thread at a time,
leaving a long stitch below to form the basic pattern. The embroidery
is usually done with silk or satin thread, in both a vertical and
horizontal pattern so that when the phulkari is finally ready, the
play of light on its shiny surface lends it breathtaking beauty.

Bagh:
The bagh is an offshoot of phulkari and almost always follows a
geometric pattern, with green as the basic colour. Green is probably
predominant because Muslims have traditionally been doing bagh work.
Although lacking in technical finesse, it makes up for the loss
by a variety of colourful motifs. Simply everything goes into the
design elephants, houses, crops, the sun, the moon, gardens and
even kites.

Chamba
Rumals:
The red and orange richly embroidered silk scarves of Chamba are
simply beautiful. They often depict scenes from the Mahabharata,
the Ramayana and the Raaslila of Radha and Krishna. The embroidery
is done in silk yarn on tussar (silk) or fine cotton. The ground
is usually white or cream, but the embroidery threads (usually red
and orange) are in striking contrast.
Chikankari:
Lucknow in Uttar Pradesh is the hotbed of white thread embroidery
on white or coloured cotton usually in pastel shades. Intricate
and complex, this work is similar to what is commonly known as shadow
work. The beauty of the embroidery comes through on fine muslin
cloth, where you can see the stitches forming lace-like patterns
on the underside.

Kantha:
Bihar and Bengal are known for their simple embroidery called kantha
which is nothing more than patterns traced in a running stitch with
short gaps. Floral, animal and bird motifs embroidered on both cotton
and silk are extremely popular.
Crewel:
Kashmir is known for phirans (woollen kurtas) and namdahs (woollen
rugs) with big floral embroidery in cheerful colours. Crewel embroidery
is the same as chain stitch, is usually done with an awl (a small
pointed tool for making holes) and is worked from underneath the
fabric rather than above.

Banjara:
The embroidery of the lamada gypsy tribe of Andhra Pradesh, banjara
is a mix of applique with mirrors and beadwork. Bright red, yellow,
black and white coloured cloth is laid in bands and joined with
a white criss-cross stitch.
Kasuti:
Dharwar (Karnataka) is home to kasuti, a delicate single thread
embroidery done on handloom saris. Motifs consist of temples, peacocks,
elephants, flowering trees and geometric forms spread across the
sari.
Special Shopping Destinations:
Srinagar (Kashmir), Lucknow (Uttar Pradesh),Amritsar (Punjab), Kutch
(Gujarat), Jaisalmer(Rajasthan), Calcutta (West Bengal).
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